I found Tom Rob Smith’s debut to
be a tremendous novel. It has a tortuous and labyrinthine plot which twists and
weaves its way through Stalinist Russia, starting in war-torn Ukraine in the
late thirties and ending in Russia in the
mid-fifties. His characters are so well drawn, particularly his main
protagonists Leo Demidov and his wife Raisa, along with a truly wonderful
villain in Leo’s subordinate and ultimate nemesis Vassily Nikitin.
The complex plot centres around
MGB agent Leo Demidov. When a colleague’s child is killed Leo is ordered to silence
the family who are claiming that the child was murdered. Murder is not possible
in Stalinist Russia as it would be an affront to the state ideology where the
only possible crime is a crime against the state. However Leo discovers that a
serial killer is murdering children and he and his wife Raisa attempt to track
them down. This simple synopsis doesn’t really do justice to the intricacies of
the storyline, but provides a starting point.
Smith’s story was inspired by the
Russian serial killer Andrei Chikatilo who was executed for the murders of over
fifty children in the 1980’s. However Smith chooses to set his novel in 1953
and provides a fascinating insight into Stalinist Russia and the changes that
occurred with death of Stalin and the rise to power of Nikita Khrushchev.
Fledging writers are always told
about the importance of their opening chapter. The first chapter of Child 44 is
breathtaking as two starving Ukrainian children hunt an emaciated cat that they
intend to kill for food. It is an object lesson in how to create an initial
impact. I was completely hooked.
Smith’s writing is intense and
unrelenting; he evokes the bleakness and paranoia of a totalitarian state and
his research is exemplary.
The critical reaction to the
novel is in itself fascinating. It seems to provoke praise and admiration from
some quarters and utter vilification from others. I am firmly on the side of
praise and admiration. I thought it was a stunning debut.
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