It follows two main narrative threads
that slowly intertwine. The first concerns Father Anselm, once a barrister, now
a monk, and the suspected war criminal Eduard Schwermann who claims sanctuary
at Anselm’s priory. The second thread follows terminally ill Agnes Aubret who
decides to reveal the secrets of her war-time exploits to her Granddaughter
Lucy. Agnes had once been a member of an underground brotherhood who smuggled
Jewish children to safety from occupied France until the group was exposed and
betrayed by a young SS officer: Eduard Schwermann. The two parallel
investigations into the shadowy events of the past begin to collide and
intertwine with compelling consequences.
It is a remarkable debut novel
and Brodrick deftly juggles a labyrinthine plot which is full of complex moral ambiguities.
His writing is extraordinary; he moved me to tears on more than one occasion
and his narrative revelations caused me to gasp aloud.
I’m now looking forward to
reading his other novels. I had the opportunity to hear him speak at a Polish
Crime Night at Belgravia Books in Victoria recently, organised by Magda
Raczynska of The Polish Cultural Institute. William shared a platform with
another of my literary heroes, Anya Lipska, author of “Where The Devil Can’t
Go” and “Death Can’t Take a Joke”. William spoke eloquently about the craft of
writing and the importance of truth. I rather wished that I had read The Sixth
Lamentation prior to hearing him speak. Hopefully by the time I have the
opportunity to hear him speak again I will have read the rest of his canon.
In the meantime I would urge you
to read this wonderful, wonderful novel.
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